It is a series of short strips – some very short – that builds up a picture of the titular character, “the world’s greatest comic book collector,” Wimbledon Green. Through descriptions by others, and occasionally personal appearances, you get to form a picture of this eccentric figure. The storytelling is superbly crafted and at points you feel like the gumshoe of a film noir interviewing witnesses to try and find this missing figure. It feels like Andi Ewing’s “45” but with a different visual style.
This is drawn by a cartoonist and it has the black and white strip feel that has populated newspapers for decades. Most of the panels are shaded in a single colour (but with a couple of hues) and this brings a lot of depth to the page. The colours used are bronze, silver, and gold, or more precisely their matt equivalents, to represent the three ages of classic comics. Many of the pages are talking heads with panels little bigger than a postage stamp as characters relate anecdotes about the mysterious Mr Green. Although almost identical the odd blink or sideways glance reveals a lot about the speaker and the tale they are telling. The whole thing has a quite a stop motion feel to it. There isn’t a lot of visual trickery but a change in the frame size or unexpected variation in colour really packs a punch. The “less is more” has never been truer than here.
It is astounding what can be achieved with a simple idea and subtle execution of some universal themes. This is a very quiet and sophisticated work despite its simplicity. The hardback format is expertly used and the production values are extremely high. No question of anything but Double Thumbs Up!
Tomorrow: Proof Book One: Goatsucker – Alexander Grecian