The Millar story isn’t bad and you see him twisting and bending the characters to express the more home-grown political message he is wanting to. He has fun with his new toys and spins an interesting yarn. Casey delivers a run of the mill action romp with some old Stormwatch references. Jenkins turns in a mature and touching story whose title, Isolation, says it all. This is the star of the show.
Ellis has clearly said goodbye to The Authority by this point. He basically has Hawksmoor recap the previous stories while doing parkour. While this is a definite let down story wise it is actually quite a poetic and elegant delivery.
There are plenty of artists at work here. Even the main story changes penciller and inker halfway through in a noticeable but not disastrous way. All the minor stories are beautifully rendered, obeying the previous conventions. The Ellis story does have a very different visual style with the words and pictures kept very separate and this compliments the internal narration very well. Weston’s two issue stand-in for Quietly makes the biggest impression and his pin sharp detail seems to be the closest to the original Hitch vision and the most suited for the ‘widescreen’ format.