This is another outing in one of the weirdest titles in comics.
It isn’t a bad little story, reminiscent of a Bond film or a clever 70’s heist movie. There are more double crosses than you can shake a stick at and the trademark timeline shuffling persists with a vengeance.
The art is the same pencil and block colour but we have dual tones now, and in some of the weirdest colour juxtapositions you will ever see.
This didn’t need another volume and in many ways it would be better off without a sequel to preserve the ‘lightning in bottle’ originality of the first book. But here it is and it certainly has a cool idea for Duncan.